Following the
success of Godzilla, Toho set out to
build on its success with a sequel: Godzilla
Raids Again. On its own, this film is fun and entertaining, but it lacks
the top quality of the original masterpiece. While Godzilla’s image of an
atomic threat is still present in this film, the gravely feel of a post-world
war climate is gone. Also, half of the camera shots of Godzilla in the film
look like cheap hand puppets. And the puppet doesn't look anything like the
face on the monster suit! And the face of the suit has a slight grin, giving
the monster a less threatening appearance. The deep roar is kept from the
original film, as is the overall suit impression.
What makes this film so unique is that it
is the first to feature a one on one monster battle, thus laying the groundwork
for the rest of the series. Godzilla’s nemesis is called Anguirus, a mutated
Ankylosaurus that too was awoke from nuclear testing. As a result, they fight
first on an island, then carry it to Osaka. Again, half of the close-ups of the
fight are two hand puppets grappling with each other, so it can be
disappointing for some fans looking for a great battle. But it’s still
entertaining, and the fight’s conclusion boosts Godzilla’s image as a powerful
threat.
The golden moment of the film is the
military’s unique attack on Godzilla, as its jets fire missiles at an icy
mountain wall, causing avalanches to bury him. What’s amazing is that the
military actually prevails, and the beast is buried. This conclusion also
provides viewers with continuity, for this is precisely where they find
Godzilla in the next film. But we will get to that in the next review.
Overall, Godzilla Raids Again is a transitional
film. It carries the serious gravity of the original Godzilla, but also gives audiences a first glimpse of the cheap
monster fights and model sets that the series is so renowned for. With that
said, it doesn't deserve the negativity it gets from critics. It’s an old
fashioned 50’s monster movie. It’s not supposed to be overly serious or
saddening. The film is just good Saturday night fun. I
give it 3 out of 4 stars!
~Seth
Didja Know?
- This is George Takei (of Star Trek fame)'s first film project.
- Although special effects director Eiji Tsuburya wanted the fights filmed in slow motion, the camera crank operator misunderstood and under-cranked instead of over-cranking. The resulting faster fight scenes won Tsuburya over, and they kept it in the final version.
- Unaware of Godzilla's impending runaway popularity, American producer Paul Schreibman inexplicably changed Godzilla's name to "Gigantis" for the American print!
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