Sunday, July 14, 2013

Godzilla Raids Again (1955)


Following the success of Godzilla, Toho set out to build on its success with a sequel: Godzilla Raids Again. On its own, this film is fun and entertaining, but it lacks the top quality of the original masterpiece. While Godzilla’s image of an atomic threat is still present in this film, the gravely feel of a post-world war climate is gone. Also, half of the camera shots of Godzilla in the film look like cheap hand puppets. And the puppet doesn't look anything like the face on the monster suit! And the face of the suit has a slight grin, giving the monster a less threatening appearance. The deep roar is kept from the original film, as is the overall suit impression.

     What makes this film so unique is that it is the first to feature a one on one monster battle, thus laying the groundwork for the rest of the series. Godzilla’s nemesis is called Anguirus, a mutated Ankylosaurus that too was awoke from nuclear testing. As a result, they fight first on an island, then carry it to Osaka. Again, half of the close-ups of the fight are two hand puppets grappling with each other, so it can be disappointing for some fans looking for a great battle. But it’s still entertaining, and the fight’s conclusion boosts Godzilla’s image as a powerful threat.

     The golden moment of the film is the military’s unique attack on Godzilla, as its jets fire missiles at an icy mountain wall, causing avalanches to bury him. What’s amazing is that the military actually prevails, and the beast is buried. This conclusion also provides viewers with continuity, for this is precisely where they find Godzilla in the next film. But we will get to that in the next review.

Overall, Godzilla Raids Again is a transitional film. It carries the serious gravity of the original Godzilla, but also gives audiences a first glimpse of the cheap monster fights and model sets that the series is so renowned for. With that said, it doesn't deserve the negativity it gets from critics. It’s an old fashioned 50’s monster movie. It’s not supposed to be overly serious or saddening. The film is just good Saturday night fun. I give it 3 out of 4 stars! 
~Seth

Didja Know?
  • This is George Takei (of Star Trek fame)'s first film project. 
  • Although special effects director Eiji Tsuburya wanted the fights filmed in slow motion, the camera crank operator misunderstood and under-cranked instead of over-cranking. The resulting faster fight scenes won Tsuburya over, and they kept it in the final version.
  • Unaware of Godzilla's impending runaway popularity, American producer Paul Schreibman inexplicably changed Godzilla's name to "Gigantis" for the American print!